Natural and textured Spring Couture ’18

Haute Couture is sending a message, maybe not a meditated one, but it was clear. Nature, in most cases, was the inspiration for most collections. The textures, the roots, the flowers, the sky, the movement. In a clear or surreal environment, nature had a leading role in the trends that will be dominating the next year, in the clothes we all be able to wear.

Maybe it is also a cry for the industry to step back and slow down its pace. Many talented designers have resigned their posts due to the pressures of launching 6 different collection, tending to trends, and satisfying the loyal brand customers. And of course, battling the copycats, born and raised with the fast fashion brands, and their pressure to get people something new, every week. True fashion cannot do that, and neither this nature will be able to hold out for long.

Haute Couture is also feeling a lot more optimistic, the collections were full of colors (to the exception of Dior), filled with tulle, frills, sequins, embroidered flowers and a sense of lightweight, and a clear nod to the female empowerment. Many of the couturiers opted to show more pants, even tuxedo constructions owned by the softness, lightness and femininity. This is also a repercussion of all the social movements and distresses that we’ve been witnessing or have been a part of for the last year. Let there not be a doubt that fashion is a strong way to express one self for the human being.

Beyond all these meditations, the trends are clear, so get ready. Texture, a lot of it,  nature related, specially. Feathers, frills, embroidered flowers, and tulle will be making a strong come back, as well as some color block and as Galliano clearly stated with his Margiella collection, clothes that will shimmer with light.

LV Parfum

After a long, looong time, and several misguided announces, Louis Vuitton finally will have its essence. They have taken their time, researching the best parfumeurs in France to get this one just right.

The household that Jacques Cavallier Belletrud represents is an old perfume household that had been on hiatus for over 70 years, and now will see the light again as it makes LV’s first ever fragance.

Check out the introduction

Lv Introduces



Haute Love!

There’s a lot to be said about Couture week. Like that awesome runway right in the middle of La Fontana di Trevi that took place today at Rome, by Fendi.

It is just pure magic. 

And also, this Stéphane Rolland structured black&white gown.

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Sure you remember Guo Pei, the chinese couturier that came to the light after dressing Rihanna, in that golden yellow cape dress at the Met Gala.

Well, after that priceless recommendation, and the MAC reaffirmation collab, the world is watching now.

The talented woman has now shown her latest work, and it is just every bit as amazing as that Rihanna moment.

The craftsmanship, the volume, the colors, the head embellishments, the exuberant work.

Guo Pei is showing her talents in a big way now.


Couture NOW!

There’s a reason still for Couture to be fashion’s biggest moment, and it is this: Couture is the true moment of inspiration and artistic creation.
It is the pioneer of trends and the true showcase for the talent of the couturier to come out in full bloom.

Here’s a nice example, Iris Van Herpen with a clear inspiration of all things from the sea, even the foam and bubbles.


Haute Couture, my love! Ep. 2

In no way will I discredit any of the other beautiful collections I wrote about, but Zuhair Murad and Valentino went out of their way this time with theirs.

This collections are just perfect, each in its way. And believe me, I have not liked a Valentino collection for a long time, this one I would wear for sitting in my living room.

Zuhair Murad chose his inspiration from the nocturnal sky. I may be incredibly biased this time, since I love stars. And the Murad creations fit me like a glove. They are, as usual, very feminine, very red-carpet-ready; with that princess feel and the added stared tiaras and belts. He used sheer fabric as tulle and organza with a lot more flow. Murad used some color and went for the palazzo figure in some cases, which is his innovation. It is a clear gesture for the 70’s trend that’s going on.
For the rest, expect a lot of these outfits in the events and red carpets to come.

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Since Valentino Garavani stepped down from the Creative Direction of his own brand and left Maria Grazia Chiuri and Pierpaolo Piccioli, I lost most of my faith in the italian Maison. The couple has had some very unusual choices when it comes to the collections. As opposed to Garavani that designed for very bold, sexy women. Chiuri and Picciolini have chosen nude tones and  darker palettes, as well as looser silhouettes. They’ve gone with weird prints and inspirations. This is the very first time that those two have made me love a collection. Again, I may be biased since I prefer the roman inspiration (asymmetrical shoulders, the gladiator flats, the waisted dresses, and toga-like dresses; even the gladiator look-a-like short dresses). And this collection was clearly a celebration of the roman legacy of the brand, where Valentino first founded it on 1960. It has all the elements of the tradicional roman style, with very sheer fabrics, a bolder look for Valentino now.

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Haute Couture, my love!

I get really excited every time Haute Couture begins. This week really allows the whole fashion industry to dream big, to turn fashion into art, and to determine almost every trend that we’ll be seeing the next year.

And this is sure a very particular Haute Couture Week. Giorgio Armani avoided his usual extra minimal creations and shocked in pop pink, metallic shades and fluffy coats. Karl Lagerfeld designed a jacket with 3D laser for Chanel, and celebrated his 50th anniversary as Creative Director of Fendi with a collection that has PETA crawling up the walls.
Viktor & Rolf showed literal “Wearable Art”, modifying the creations directly on the runway.
And trends are running a little wild for Fall&Winter 2015. A LOT of flowers and bright colors, specially bright pink, orange and gold. There are tons of sheer fabrics and cut outs, with those 70’s silhouettes that most brands hinted last season. 70’s is going on strong and fluorescent 80’s are well on their way. Also, Fur. Fur everywhere. Not only on Fendi’s Haute Fourrure collection, but almost in every runway, so get ready for some serious PETA fury, and tons of horrific posts on every single social network.
I have to say, this is some great Couture.

Karl Lagerfeld celebrated his 50th anniversary leading Fendi. This is also the first time the Roman based maison has a Haute Couture collection, which makes it even more special. Since the announcement, The Kaiser called it “Haute Fourrure” given the amount of fur he would show, and he was not kidding. This collection was different to the rest because it was mostly black and white, mixing chinchilla, sable, mink with feathers, seemingly plastic fabrics, diagonal lines and thigh high printed boots.
This is luxury and excess at its very best.

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What can you say about the Enfant Terrible of Fashion? Jean Paul Gaultier decided to stop working on his Pret A Porter collection and give his full attention to his Haute Couture. I’m sure there a lot of women disappointed, but the man is just as talented as he’s ever been. The collection has a clear nautical influence, but it is colorful, filled with gold-thread embroidery and with big weird head pieces. A lot of geometrical cuts, mixed textures and fun. You could feel the positive, fun emotion that surrounded the creations.

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I have to be honest. I’ve never really liked a Viktor&Rolf collection, and maybe because they have this abstract art vision towards fashion. This particular collection made that statement obvious. The pair has also ditched their Pret A Porter collection to focus on their “Fashion is Art” concept. They called this one: Wearable Art, and it could not have a better name. Viktor and Rolf were over the runway, fixing the dresses right there. You can see it.

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Alexis Mabille elebrated 10 years as a Couturier and has received the Chevalier des Arts et des Lettres distinction. For this collection he called 15 of his muses, among them Ditta Von Teese and Berenice Bejo and portrayed them as the true people who wears these clothes, as the heart of couture. Photographer Matthew Brookes made an awesome job.

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Elie Saab has a very clear formula for his collections. He’s Red-Carpet-perfect-choice. The sequins and beads embroidered dresses with that ethereal feel and princess-like luscious fabrics makes you feel like you could wear each dress to just be around in your house, and feel like you’re the queen of everything. This time, Saab tried some palazzos which is the novelty, and those black gowns with the flowers… Trust me, we’ll be seeing a lot of these on the red carpets to come.

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Maison Margiela was without a doubt the place for John Galliano to make a full come back. The ability to experiment with fabrics, textures, images and contradictions that already came in the DNA of the maison were just the place to bring back the immense talent that Galliano has. And when I say contradictions, I mean a dress made of what could have been a bag for potatoes, to “origami-like” printed dresses

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Alexandre Vauthier chose Los Angeles as the muse of this collection. And fringes, fringes all over. At the edge of a dress, from the belts on the shoes. It empowers a woman who wants to feel like a sexy rockstar with cut outs, thigh high slits and super short skirts, very LA if you ask me.

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Mr. Armani shocked his audience as he drifted away from his usual minimalistic ways towards a very early 80’s bright colored collection, with a Punk feel to it. Filled with feathers and bright sequins, blue, green and pink over green and making an ombre appearance. It was an odd choice for Armani, even though the silhouettes of the gowns and the jackets clearly had the Armani seal all over.

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Bouchra Jarrar up until now, designed for the working every day woman. And the clothes were beautiful and functional, but this time she went for a younger woman, with crop tops and pleated sheer skirts over short ones. There was a lot of fur, even in the crossed crop tops, mixed with big waisted pants.

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This Fall, Chanel was showing in a Casino. Kristen Stewart, Geraldine Chaplin, Rinko Kikuchi, Rita Ora, Lara Stone, Vanessa Paradis and Julianne Moore played at the tables, while the models walked around with Lagerfeld’s creations.
Since he also showed his very first jacket cut out by 3D laser, the whole collection had that “machine over man” theme going on. With a classic Chanel and incredibly oversized coats and jackets, but doll-like cheeks, lips and hair.

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My dear Giamba, always so beautiful and so great. Giambattista Valli has this classic italian work and he mixes it with his inspirations. This time, he went for Talitha Pol and Syd Barrett, some psychedelic view with bright colors and textures, and those huge dark shades. From the short feathered dresses, to the long and incredibly big fluffy gowns and that long black dress with flowers. You just fall in love with all of it.

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Alberta Ferretti is also a new addition to the Haute Couture Week, with her Limited Edition line. And I saw this one before, and I think it is perfect. It came out of a glorious french palais, and it actually did ‘cause Alberta has moved her atelier to a french chateau, that once belonged to the Rotchschilds, at Rue Faubourg Saint Honore. It has the baroque, and the feminine. It is delicate and sweet, and it has an immense amount of artisan craftsmanship. It is beautiful.

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Raf Simmons has taken his place at Dior perfectly, I just don’t think this was his best work. The environment created for the collection was a sign for big things to come, and yet I was not that greatly surprised. The big coats, the white loose dresses, that seemed like old night gowns. The crystal sequined dresses, and the ones with the flowers were nice, but for me it felt a little lost. Like the pieces didn’t quite match.

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I believe I forgot that Marco Zanini left the creative direction of Schiaparelli, and from here, it looks like the very best thing that could’ve happened to the brand of my dear Schiap. Bertrand Guyon stepped up and took over the collection, and I think this one has got it right. The values, the muscles that conform the Schiaparelli brand. The quirky and the elaborated, from the prints on the dresses to the head pieces, the diverse influences, the man has the right idea.

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Ulyana Sergeenko has gone from really weird to chosen by Rihanna for her crazy videos. The woman takes all her inspirations from her homeland, this time from the Soviet Russia, with a very elegant point of view and a naughty one, with sheer pieces and showing a lot more skin that ever before. Maybe that’s another reason why she caught Rihanna’s eye.

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I’ve said ti before, and I will say it again: Donatella has made some great work with Versace. She’s kept the theatricality that Gianni had, but the clothes have a lot more understanding. They are sexy and bold, and yet they have that quality, that feminine trait. This time, Donatella went full 70’s flower child, with a twist. 25,000 orchids filled the crystal runway, as they made the silhouette of the Versace Medusa on the back, where all the models came from. And they had flowers on their heads, and their backs and they seemed to form the strings that kept the pieces together. It was simple and strong as most things in nature do.

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Ferreti’s perfect limited edition

Four years ago, Alberta Ferretti created her Limited Edition line, a Demi couture line created in her Parisian atelier in Rue de Faubourg Saint Honoré. The latest collection has launched and it is ethereal, feminine, elegant. It has a toxin of baroque inspiration and a huge amount of art and craftsmanship, that makes it perfect.


Dreamy Haute Couture

Yesterday was the last day of Fashion’s true dream-like event: Haute Couture.

In spite of them being shows of really unattainable pieces, this is where fashion finds its true art and inspiration. This is where the designers become couturiers and true masters of a very particular craft. This is where the word “trend” finds its true meaning.

And if you paid any attention, in the not so far future we will be dressing with long puffy skirts, a lot of sheer fabric, flowers and lines filled with color. We will see a lot of rock inspiration mixed with very girly, seductive traits, with fabrics with a liquid quality to them, with a lot of flow and movement and tons and tons of layers. Metallics, sequins, beadings and quite intricate embroidery will also be part of the inspiration for Prét a Porter’s season to come.

Karl Lagerfeld is a true master of fashion’s constant  innovative state. The man knows how to mix the always perfect tweed and the four pocket jacket, with an almost day to day clothings. In this runway he chose to make a gigantic flower garden that took 6 months to be made. And of course, as the flowers are colorful and sometimes big, so were the clothes. He keeps on pushing the crop top, which I don’t really appreciate, but it’s not everywhere. Playing with ate 60’s and 70’s silhouettes, there is quite some layering going on, and some fringes with sheer tule or organza.


Of course, the novelty and highest of fashion news for this particular week, was the return of another master: John Galliano, for Maison Margiella. The french maison has been going under a lot of changes. The Martin has been dropped out of the original name, and went for the Dio disgraced designer to bring some of his incredibly talented eccentricity to bring the maison to this moment without loosing its values. That kind of job Galliano knows like the palm of his hand as he had to make it last for Dior for quite some time. So, yes. We saw all those crazy masks, and those face-like additions to some of the dresses. The mixing of textures was out of this world. And I surely believe that this will mean Galliano’s full comeback to the scene that once casted him away.


Marco Zanini was let go from Schiaparelli and the team that was left behind has been taking care of the italian designer’s legacy. I have to say that I’m not sure anyone has completely gotten Elsa’s gist, an that is kind of sad. Then again she didn’t left too much to make a full brand with. So people are trying and this collection has been the best to date. Mixes the hats, and the dresses correctly, and also brought the brand to this actual moment, with the crop tops and all. But you’ve got to respect the colorful clothes and the amazing craftwork behind them.

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You all know how much I’ve praised Donatella’s latest job at Versace and Atelier Versace. I believe this time she went a little too far. She was insider in the female body, so no straight lines were found in any of the pieces. But there were too many cut outs to a point where the dresses went back to that tacky well-known Versace moment. There are somethings that can be rescued: the long jumpsuits, with asymmetric cuts on the top, the pant suits, the playful short dresses with shiny embroidery, and some of the not so show-off dresses. Blue, red, black and white were the color palette she chose.

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My dear Giamba. Always so full of strange ideas. The man got his inspiration from that MET exhibit named “Impossible Conversation” a One on one with Elsa Schiaparelli and Miuccia Prada. He thought he could pull of something like that with Coco Chanel and Janis Joplin. And the results are debatable. He has that incredibly elegant seal that marks every single one of his collections. He works with layering as Joplin did with dresses and pants, and he uses massive amounts of perfect tulle to layer one of his spring matching gowns. Huge capes covering jump suits and dresses with 70’s silhouettes, and with that medium face veil so lady like. It’s just plain odd. It’s colorful, its playful, but it’s also confusing because Chanel and Joplin just wouldn’t have matched so well.

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Another designer with a rock inspiration was Raf Simmons, but his approach was completely different. Simons went for the chamaleon himself, David Bowie. The first pictures I saw of the runway, I just could not understand. The psychedelic skin tight jumpsuit and shiny high boots and those big fluffy tulle skirts. But once i knew where he was coming from everything made total sense. And he’s also channeling this constant evolving that fashion has to have, with the Bowie reinventions. Such a new look for Dior. The brand saw its legacy completed with the very feminine dresses. Raf also went for the layering with a type of crop top over the body of the skirt. He did this at the latest runway, but these ones are improved.

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Alexandre Vauthier went for the whole party with his brand new couturier naming. His collection went all rock&roll with plastic fabrics, strategic cut outs and a couple of pieces that seemed to come out of a mirror ball. It is a nice collection but not if you’re trying out your couturier name. It’s for the woman who will be partying for quite sometime.

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I’ve yet to understand the talent of Maria Grazia Chuiri and Pierpaolo Piccioli. I don’t think I’ve liked one complete collection since they took over Garavanni. But they have somethings that I appreciate and this collection has them. Flowy delicate gowns with very elegant and flirty details such as stars or poems written on them, or a soft touch of a rainbow. Percy lines at the necklines, and I make my point with this black velvet gown with a neckline that looks like wings. But velvet for spring? Seriously? The other part of the collection had that “coming out of medieval times” touch, with intricate embroidery which is hand made by very talented artisans, but it was like going from medieval to renalssance from one outfit to another. That part They could’ve saved us all.

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Bouchra Jarrar had chosen to empower women in their everyday lives, staying away from red carpet seasons or any place that you had to see a gown. Apparently, Jarrar has finally given up on this thought and finally has noticed how much help the artist provide by wearing your brand. So she had pant suits with fur and short dresses with a weird amount of zippers, for everyday activities, and made a very silky gown with a sheer cover and some beading. It is not Elie Saab or Zuhair Murad, but if she puts her head into it, she might a lot better.

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Armani decided a long time ago that he didn’t need to follow any trend but his own. That being the asian thing he has going on, even when he says the inspiration was just the bamboo, those kimono jackets and the huge vertical bows have “japanese” written all over them. He went from his very well known pant suits with crystal beaded black and navy blue jackets, and gowns with the bamboo stamped all over, in green or black. The sheer with Armani, never means showing too much skin, or any for that matter. He just layers it and gives that seductive airy quality to his pieces.

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Ulyana Sergenko is inspired by her own country’s history and I find that very interesting. But she’s loosing aim. Women do not want to look like matrioska dolls, they wanna be a little comfortable. And there are only 2 or 3 outfits that do not look like you can’t even move. It’s a fun runway to look at, I just don’t think it’s such  great idea for the real life.

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Jean paul Gaultier is enjoying himself since he shut down his pet a porter collection. This “61 ways to say yes” collection is the proof. These are 61 one ways to say yes to everything thats good and fun in life, not only to get married. It is meant to say yes to sex, to first dates, to new things, to new places, to new identities, to acceptance of the self, and Naomi Campbell was the big fancy bouquet.

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“There are strange evenings when flowers have a soul” Albert Samain wrote in 1893, his poems and his symbolism were the great influence in the Alexis Mabille collection. He aimed for flowers, but not the way Lagerfeld or Simons do, this was a darker side of the spring icon. Black lace and feathers, mixed with black and blue sequined gowns, capes and even a touch of hot pink and a huge bow completed his outfits.

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Viktor and Rolf also went for the full on bloom floral spring, with baby dolls. And over sized (which I believe to be an understatement) head pieces. The flowers were everywhere like the “flower bomb”, because those outfits did look like a greenhouse exploded. But let’s face it, it is Viktor&Rolf, it is eccentric and weird.

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Zuhair Murad and Elie Saab, the masters of the beaded and embroidered red carpet ready gowns.

Zuhair went for water as inspiration, because the dresses moved along and seemed dripping with beadings. Yet, there were blue, green and yellow pieces, along with the crisp white he chose to begin with.


Saab went for the golden age of Lebanon, filled with joy and parties. He even threw a trip print, which is so unusual to the Lebanese designer. He went for feathers and beads, he mixed the textures to make a stronger statement.

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It took long enough since the announce that Pharrell and  Cara Delevigne would collaborate on a project.

It’s even harder to believe that’s a Karl Lagerfeld project, for Chanel.

This is the teaser for the mini film directed by the Kaiser.

The full length will be debuted at the Metier D’Arts in Salzburg, Austria on December 1st.

Anteriores Entradas antiguas

En el pasado…

What’s all about